The Divine Garbo in a Complex Love Triangle in the Orient
I always feel approaching a Greta Garbo film to review it is like entering some Sacred Temple where one must show due respect and restraint.For the whole of the 1930's decade she along with Joan Crawford and Norma Shearer held the prime positions as the annointed Queens of MGM. Garbo however always seemed to have her own special niche in the pecking order and always had more popularity with European audiences than with the average American movie going public who flocked to Crawford's shop girl melodramas and Shearer's lady like portrayals in high society settings.
Fresh from her triumph in "Queen Christina", the previous year MGM legend Garbo tackled this modern dress romantic film which turned out to be her last modern themed film for quite some time. Indeed by this stage in her career Garbo was down to only making one film a year so her productions were always viewed as special events even when their stories might not have always been up to the quality of the rest of the...
SOULFUL MELODRAMA
Set in the mysterious Orient, Garbo is cast as an unfaithful wife who eventually mends her ways........... she's magnificent throughout this rather weak story in one stunning scene after another (Garbo alone is worth the "price of admission"). Garbo just had finished her smash hit QUEEN CHRISTINA when she went into this rather mediocre Maugham tale. The rather melodramatic story, which was adapted for the screen by John Meehan, Salka Viertel and Edith Fitzgerald, seems to hark back to Garbo's silent films as she's torn between a worthy husband and a passionate lover; its plot is curiously similar to that of WILD ORCHIDS (1928) except that China replaces Java as the exotic locale. It was rumoured offscreen that Garbo and Brent had a briefly torrid little affair; however Garbo baulked when Brent insisted on marriage!
one of garbo's better films.
The film did badly when it was first released. After viewing it, i know the present audiences can't really rely on the history. Though the film was not Garbo's best,but it's one of the better ones.
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